Obbini_Tumbao

=Obbini Tumbao Cuban Music Residency= Brandeis University Oct 22-24, 2009

Let's use this space to share scholarly resources and ideas in reference to the upcoming residency of the Cuban performance group, "Obbini Tumbao" at Brandeis, through MusicUnitesUs' [|Intercultural Residency Series], October 22-24, 2009.

On Line Resources on Cuban Music/Dance

 * [|Obbinii Tumbao]
 * [|Obbini Tumbao at the Cambridge River Festival 2009]
 * [|Afro-Cuban Music](Nat Geo)
 * [|AfroCuba Web]

On Line Resources on Caribbean/Related Music

 * [|Afro-Venezeulan Music] (T.M. Scruggs on Afro Pop)
 * [|Santeria Music Database]

Books
2001
 * ===// V Boggs Salsiology: Afro-Cuban music and the evolution of salsa in New York City . 1992 - Greenwood Press //===
 * ===// Y Daniel, Rumba: Dance and social change in contemporary Cuba 1995 - Indiana University Press //===
 * ===[|KJ Hagedorn, F Aguabella, A Villarreal][|Divine utterances: the performance of Afro-][|**Cuban**][|Santería]===
 * ===// I Leymarie Cuban fire: the story of salsa and latin jazz . 2002 - Continuum Intl Pub Group //===
 * ===// PL Manuel Essays on Cuban Music: North American and Cuban Perspectives, 1991 - University Press of America //===
 * Ivor L Miller. [|Voices of the Leopard: African Societies and Cuba,]University of Minnesota Press, 2009.

Journal Articles

 * [|//Frances R. Aparicio//]**[|THE BLACKNESS OF SUGAR: CELIA CRUZ AND THE PERFORMANCE OF (TRANS)NATIONALISM]** //Cultural Studies//, 1466-4348, Volume 13, Issue 2, 1999, Pages 223 – 236


 * Peter Manuel [|Marxism, Nationalism and Popular Music in Revolutionary Cuba][|Popular Music], Vol. 6, No. 2, Latin America (May, 1987), pp. 161-178 Stable URL: http://www.jstor.org/stable/853419


 * Ivor L. Miller [|Religious Symbolism in Cuban Political Performance] [|//TDR (1988-)//], Vol. 44, No. 2 (Summer, 2000), pp. 30-55 Stable url: http://www.jstor.org/stable/1146846


 * Robin Moore, P [|oetic, Visual, and Symphonic Interpretations of the Cuban Rumba: Toward a Model of Integrative Studies], [|//Lenox Avenue: A Journal of Interarts Inquiry//] , Vol. 4, (1998), pp. 93-112 http://www.jstor.org/stable/4177070


 * Deborah Pacini Hernandez [|Dancing with the Enemy: Cuban Popular Music, Race, Authenticity, and the World-Music Landscape][|Latin American Perspectives], Vol. 25, No. 3, Race and National Identity in the Americas (May, 1998), pp. 110-125 Stable URL: http://www.jstor.org/stable/2634169