Chinese_contemporary_art

=Contemporary Art in China= //Articles//


 * Francesca Dal Lago [|Personal Mao: Reshaping an Icon in Contemporary Chinese Art][|Art Journal], Vol. 58, No. 2 (Summer, 1999), pp. 47-59 Stable URL: http://www.jstor.org/stable/777948


 * [|Space and Public: Site Specificity in Beijing.] By: Dal Lago, Francesca. //**Art Journal**//, Spring2000, Vol. 59 Issue 1, p74,


 * Xiaoping Lin [|Those Parodic Images: A Glimpse of Contemporary Chinese Art][|. Leonardo], Vol. 30, No. 2 (1997), pp. 113-122 Stable URL: http://www.jstor.org/stable/1576420


 * [|Contemporary Chinese Painting: The Leading Masters and the Younger Generation]by Lin Xiaoping[| Leonardo], Vol. 20, No. 1 (1987), pp. 47-55 Stable URL: http://www.jstor.org/stable/1578211


 * [|Drastic Urbanization: The Photographs of Sze Tsung Leong.] Full Text Available   By: Phillips, Christopher. //**Art Journal**//, Winter2004, Vol. 63 Issue 4, p20-45, 26p,


 * [|Performing Bodies: Zhang Huan, Ma Liuming, and Performance Art in //**China**//.] Full Text Available   By: Zhijian, Qian; Huan, Zhang. //**Art Journal**//, Summer99, Vol. 58 Issue 2, p60


 * [|The "Cult of Poetry" in Contemporary China]Michelle Yeh[|. The Journal of Asian Studies], Vol. 55, No. 1 (Feb., 1996), pp. 51-80 Stable URL: http://www.jstor.org/stable/2943636

//Books//


 * "Origins of the Chinese Avant-Garde: The Modern Woodcut Movement," by Xiaobing Tang

//Websites//

[]
 * Bibliography of Contemporary Chinese Art.


 * [|Art Scene China]


 * [|New Chinese Art]


 * [|Art Realization China]